One Meterite in the Room

A boy runs away from home, carrying countless sounding diabolos on his back.The diabolos are his luggage. They are also the room that wraps around him and gives him a place to shelter.At times, they become his hands, feet, and spine.
At times, they hold his body like a mother.
At times, after spinning, they release into the world the immense sound he is not yet able to voice on his own.The boy and the diabolos rely on one another, even as they pull against each other.
They support him, accompany him, and surround him, like the wings of the eternal boy. Between taking flight and falling, he continues searching for a place where he can settle.One Meteorite in the Room
is a creation that combines contemporary circus, object theatre, and physical choreography. Centered on the image of the sounding diabolo, the work follows the artist using the diabolo to build a shelter for himself within a long migration — a refuge that protects him along the way.Through the constantly shifting relationship between the diabolo and the body, the artist attempts to retrace the path of growing up: we feel safe through attachment, and through our interactions with others, objects, and memories, we gradually become ourselves.
The work also draws from the artist’s family memory and from the history of the diabolo in Taiwan, placing the boy’s growth within the island’s longer experience of migration.
The ancestors who crossed the sea, the island drifting through modern history in search of its place, and the boy onstage searching for somewhere to settle are all part of a life journey that has not yet come to rest.Before becoming adults, have we all at some point relied on something outside ourselves to support the parts of us that had not yet grown?
And in the end, how do we loosen our hold on the things that once protected us?This is a migration of growing up, and also the story of a boy practicing how to stand on his own.

Aristic details

ORIGINAL IDEA.
Ivano Huang

CAST.
Ivano Huang

DRAMATURGICAL ADVICE.
Chow Ling-Chin

SCENIC SPACE.
Ivano Huang

SOUND SPACE.
Ivano Huang

MUSIC DESIGN.
Mukio

MIXING, MASTERING.
Mukio

COSTUME DESIGN.
Zhi Wei-Guo, Yu Ting-Hong

WITH THANKS TO.
Florew.hufaj oojuy

VIDEO.
Ho Yin Huang, Tai Kwan

PHOTOGRAPHY.
TeiKouKei

DEVELOPMENT HISTORY

2023 | Project Inception
/ Work-in-Progress Showing
Circus Tent Project
Taipei Performing Arts Center, Taipei, Taiwan

2024 | Premiere
(15-minute version)
DANCE×Scrum!!! 2024
KAAT Kanagawa Arts Theatre, Yokohama, Japan

2024 | Excerpt Presentation
(within a collective production)
2024 TPAC Circus Festival: From the moment I arrived.
Taipei Performing Arts Center, Taipei, Taiwan

2025 | Full Presentation
(30-minute version)
Asian Circus Focus
Tai Kwun, Hong Kong

@2026

Ivano Huang

Instagram

Project
Biography
Contact
中文

Biography

Ivano Huang, born in Taipei in 2002,
works with the diabolo and sees the body and objects as mediums of communication and resonance.His training began in childhood within Taiwan’s folk arts traditions. He 「started with the/began practicing」diabolo at age 8, and from elementary school through high school trained in Taiwan’s folk arts system, with diabolo as his specialization. Growing up alongside the diabolo later shaped his practice in contemporary circus and theatre.After high school, he 「went on to/pursued」 independent study in theatre performance through East Asian physical training and psycho-physical 「performance methods/approaches to acting」. His training includes butoh, Suzuki actor training, and An Acrobat of the Heart—an actor training approach shaped by later developments within the Grotowski tradition.In his practice, he works from relationships that emerge over time between a person and an object, exploring how the performer’s psycho-physical state affects object manipulation, and turning the experience of growing up alongside objects into an exploration of how an individual takes shape.

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Selected

PROJECTS

One Meteorite in the Room2025

Diabolo Has a Name2023

INVITATIONS & PRESENTATIONS

Israel Juggling Convention
Guest Artist
2024

TEDxNDHU – Amor Fati
Speaker & Performer
2024

National Award for Arts
Taiwan
Performance in
“Endless Exploration”
2024

INVITATIONS & PRESENTATIONS

COLLABORATIONS

“What Are You Doing For?”
Taipei Street Arts Festival
Tango x Ivano Huang
2024

“Yan Qing”
Residency-based collaboration
THY LAB Theater, Hong Kong
2025

“Shape of Now”
Ivano Huang x Yuri Yamamura
2026

@2026

Ivano Huang

Instagram

Project
Biography
Contact
中文

Ivano Huang

[email protected]

Tel (+886)931910927

Taipe-Taiwan

@2026

Ivano Huang

Instagram

作品
個人介紹
聯絡
EN

一顆房間裡的隕石

一位少年
背著無數顆發出聲音的扯鈴離家出走。扯鈴是少年的行囊，是包覆著他、供他棲身的房間。
有時，扯鈴成為少年的手、腳與脊椎。有時，扯鈴像母親一樣托住他的身體。有時，扯鈴
在旋轉之後，替少年向世界發出他未能獨自發出的、巨大的聲音。少年與扯鈴彼此依靠，也相互拉扯。
扯鈴支撐他、陪伴他、圍繞他，像是永恆少年的翅膀。在起飛與墜落之間，少年持續尋找
一個能夠安身的地方。《一顆房間裡的隕石》是一部結合當代馬戲、物件劇場與身體編舞的創作，以「有聲音的扯鈴」為核心意象。
藝術家透過扯鈴，為自己搭建漫長的遷徙中，保護著自己的庇護所。透過扯鈴與身體之間
不斷變化的關係，藝術家試圖重現成長的路徑：我們因為依附而感到安全，並透過與他人、物
件、記憶的互動，逐漸形成為自己。藝術家同時從家族記憶與扯鈴在臺灣的歷史出發——
將少年的成長置於島嶼更漫長的遷徙經驗之中。渡海而來的祖輩，島嶼在近代歷史中持續漂流、尋找位置以及少年在舞台上尋找安身之處的身影，都是尚未落腳的生命旅程。在成為大人之前，我們是否都曾借助某種外在之物，支撐自己尚未長成的部分？
而我們最終又是如何鬆開那些曾經保護我們的存在？這是一場關於成長的遷徙，也是一個少年練習獨自站立的故事。

作品預告

_{作品製作名單}

_創作發想
黃翊

_演出者
黃翊

_{戲劇構作顧問}
周伶芝

_音樂設計
張伶瑀

_聲音設計
黃翊

_{混音與母帶處理}
張伶瑀

_{服裝設計、製作}
郭智瑋、洪郁婷

_影像紀錄
大館、黃浩然

_攝影
鄭洪敬

_{作品發展歷程}

2023｜創作啟動與階段呈現
「馬戲棚計劃」
臺北表演藝術中心

2024｜試演（15 分鐘）
DANCE×Scrum!!! 2024
KAAT神奈川藝術劇場（日本）

2024｜作品片段呈現
馬戲棚計劃延伸製作
臺北表演藝術中心

2025｜首演（30 分鐘）
「亞洲馬戲平台」
大館 TAI KWUN（香港）

@2026

黃翊

Instagram

作品
個人介紹
聯絡
EN

個人介紹

黃翊，2002 年出生於台灣台北，他以扯鈴為主要媒材進行創作，並將身體與物件視為溝通與共感的媒介。他的表演養成始於童年時期的民俗技藝訓練。八歲開始接觸扯鈴，並以此為專項自國小至高中持續於台灣民俗技藝體系中學習，這段與扯鈴共同成長的經驗，後來被他逐步轉化為進入當代馬戲與劇場創作的方法。
高中畢業後他轉向自學劇場表演，開始在東亞身體訓練與心理－身體（psycho-physical）表演方法之間持續探索，其訓練涵蓋舞踏、鈴木忠志身體訓練法，以及承襲 Grotowski 系譜，後經轉化發展的心之飛人演員訓練方法。近期創作，他從人與物件長時間共處所形成的關係與歷史出發，探索表演者的身心狀態如何影響物件操縱，並逐步將與物件共處的成長經驗，轉化為對個體形成歷程的持續關注，成為他在當代馬戲創作中的核心關懷。